Hans Olsen (1919–1992) was a Danish furniture designer celebrated for his inventive approach to modernist design. Educated at the Royal Danish Academy of Fine Arts under Kaare Klint, Olsen absorbed the rigors of functionalist thinking while developing his own playful, sculptural style.

Olsen’s work stood apart in the Danish modern movement for its unconventional forms and technical boldness. He frequently experimented with bent laminates and innovative joinery, often producing pieces that challenged traditional aesthetics while remaining comfortable and functional. In 1953, Olsen established his own studio, where he developed a series of unique designs, many of which were showcased at the Cabinetmakers Guild annual exhibitions in Copenhagen.

Throughout the 1950s and 1960s, Olsen collaborated with leading Danish manufacturers such as Bramin, Juul Kristensen, and Frem Røjle, producing furniture that was both practical for modern living and distinct in character. Among his most recognizable creations are the Fried Egg Chair, designed in 1956, with its asymmetrical seat that invites lounging at an angle, and the Roundette dining set, where chairs tuck seamlessly into the circular table to create a compact, sculptural whole.

Hans Olsen’s legacy lies in his ability to bring warmth and individuality to Danish modernism. His designs are admired today for their organic lines, playful proportions, and thoughtful integration of form and function. His work continues to attract collectors and design enthusiasts worldwide, embodying the spirit of mid-century innovation and timeless craftsmanship.